<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-27814060</id><updated>2012-02-16T19:16:23.163-05:00</updated><title type='text'>CURATED BY DAVID GIBSON</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://curatedbydavidgibson.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27814060/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://curatedbydavidgibson.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>David Gibson</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://3.bp.blogspot.com/_EjzYehVO2Tc/SVM8G2EiHsI/AAAAAAAADcI/eeajHOlddkw/S220/n787564465_230271_9638.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>6</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-27814060.post-115342116696131143</id><published>2007-10-31T22:58:00.009-04:00</published><updated>2009-03-12T02:15:51.159-04:00</updated><title type='text'>A COMPLETE HISTORY OF EXHIBITIONS AND EVENTS</title><content type='html'>&lt;span style="font-family: courier new;"&gt;100. POOL ART FAIR 2009. March 6-March 8, 2009. The Wyndam Garden Hotel, 37 West 24th Street, New York. Shelly Bahl, Peggy Bates, Christie Blizard, Marcy Brafman, Amy Chaiklin, Chrissy Conant, Katherine Daniels, Gregory De La Haba, Romain Erkiletlian, Ke Nancy Fang, Carla Gannis, Sean Greene, Joanna Hoar-Vea, Isolde Kille, Marni Kotak, Mary Murphy, Leah Oates, Sarah Olson, Sono Osato, Pierre St. Jacques, Margie Steinmann, Mary Ann Strandell, Teressa Valla, Mimi Wlodarczyk&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;99. SIGHT MAPPING curated with Trevor Richardson. January 30-March 1, 2009. Herter Gallery, University of Massachusetts, Amherst. David Brody, Joomi Chung, Diana Cooper, Vernon Fisher, Richard Garrison, Emily Ginsburg, Barry Le Va, Mark Lombardi, Marco Maggi, Dominic McGill, Rebecca Riley, Jane South, Danielle Tegeder, Dan Zeller.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;98. TALENT SHOW 2008. Cortney Andrews, Matt Bollinger, Liz Chalfin, Willson Cummer, Lisa Elmaleh, Meghan Gordon, Asia Ingalls, Deb Karpman, Sara Klar, Elizabeth Kellogg, Jamie M. Lee, Dot Szemiot, Ruth Waldman, Angela Zamarelli. November 8-December 7, 2008. Hampden Gallery, University of Massachusetts in Amherst. Juried exhibition with Klaus Postler. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;97. PEGGY BATES: Barachois. October 16-November 9, 2008. Gallery Thomas Jaeckel, 532 West 25th Street, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;96. BEAUTY’S BURDEN curated by David Gibson &amp;amp; Jennifer Junkermeier Bethany Bristow, Bonnie Collura, Gabert Farrar, Limor Gasko, Scott Kiernan, Karen Marston, John O’Brien, Sono Osato, Meridith Pingree, Richard Schort, Fumiko Toda. September 18–October 28, 2008, Ernest Rubenstein Gallery of the Educational Alliance, 197 East Broadway, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;95. SCOTT KIERNAN: Very Special Ops. curated by Jenny Junkermeier. September 12-30, 2008. Realform Project Space, 218 Bedford Avenue, Brooklyn.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;94. BOUNDLESS: John Berens and Abshalom Jac Lahav. September 4-September 29, 2008. 532 Gallery Thomas Jaeckel, 532 West 25th Street, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;93. PAPER IN THE WIND 2. August 9-September 7, 2008. Realform Project Space, 218 Bedford Avenue, Brooklyn. Susan Breitsch, Caroline Burton, Amy Chaiklin, Veronica Cross, Katherine Daniels, Alicia Gibson, Isolde Kille, Jac Lahav, Yuliya Lanina, Norma Markley, Mary Murphy, Sandra Mack, Geoffrey Miller, Grace Roselli&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;92. PAPER IN THE WIND. July 5-August 3, 2008. Realform Project Space, 218 Bedford Avenue, Brooklyn. Christie Blizard, Jordan Buschur, Gulsen Calik, Cathleen Cueto, Sophia Flood, Deb Karpman, Sarah Olson, Steve Page, Richard Schort, Jenn Sitron, Austin Thomas, Fumiko Toda, Kathleen Vance&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;91. LING CHANG: The Curious Lore of Precious Stones. May 31-June 30, 2008. Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;90. MARCY BRAFMAN: Truth or Consequences, May 15-June 15, 2008.  Gallery Thomas Jaeckel, 532 East 25th Street, New York. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;89. MARY KATHERINE MURPHY: Fools for Lust, April 26-May 25, 2008. Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;88. ASKEVOLD/HUTCHINSON [David Askevold + Peter Hutchinson], March 27-April 20, 2008. Gallery Thomas Jaeckel, 532 West 25th Street, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;87. MICHAEL YINGER: Another Drink And I Won't Miss Her, March 22-April 20, 2008. Article Projects:Realform, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;86. JORDAN BUSCHUR: Idle Hands, February 16-March 16, 2008. Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;85. LOST HORIZON February 4-March 4, 2008. Herter Gallery, University of Massachusetts, Amherst. Erik Benson, John Berens, Romain Erkiletlian, Michelle Hailey, Laura Harrison, Elizabeth Huey, Rebecca Kolsrud, Jeff Konigsberg, Michelle Mackey, Dana Melamed, Dean Monogenis, Asya Reznikov, Kristen Schiele, Kimberly Sexton, Mary Ann Strandell&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;84. TRUE TO FORM January 18-February 10, 2008. Gallery Thomas Jaeckel, 532 East 25th Street, New York. Marcy Brafman, Jenny Carpenter, Mary Murphy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;83. PAMELA GORDON: Mise-en-Scene January 11-February 9, 2008. Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;82. MEGAN O’CONNOR: The Big Boat November 16-December 29, 2007. Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;81. VICTORIA CALABRO: Orange October 12-November 11, 2007. Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;80. MADE IN THE USA September 18-November 23, 2007. The Educational Alliance, 197 East Broadway, New York. Shelly Bahl, Ula Einstein, Nancy Friedemann, Tine Kindermann, Chang-jin Lee, Juri Morioka, Hannes Priesch, Flavia Souza, Yona Verwer.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;79. LIZ-N-VAL: Of Cabbages and Kings September 7-October 7, 2007. Realform Project Space, 218 Bedford Avenue, Brooklyn,&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;78. MICHAEL NORKIN: Transparent July 8-August 26, 2007, Realform Project Space, 218 Bedford Avenue, Brooklyn, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;77. GARDEN CONFRONTATIONS June 29-August 19, 2007, Dam Stuhltrager, 38 Marcy Avenue, Brooklyn, New York with Victoria Calabro, Chrissy Conant, Julianna Dail, Katherine Daniels, Mark Power&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;76. KAREN MARSTON: Breathing Room June 29-August 19, 2007, Dam Stuhltrager, 38 Marcy Avenue, Brooklyn, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;75. BY INVITATION ONLY May 19-July 21, 2007, Kinz, Tillou &amp;amp; Feigen, 529 West 20th Street, 11th floor, New York with Marcy Brafman, Leemour Pelli, Mark Power, Raven Schlossberg, Conrad Vogel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;74. JENNY CARPENTER: Madagascar May 11-July 1, 2007, Realform Project Spacem, 218 Bedford Avenue, Brooklyn, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;73. JULIANNA DAIL: When Dorothy Met Alice March 30-April 29, 2007, Realform Project Space, 218 Bedford Avenue, Brooklyn, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;72. SIGNS OF LIFE March 6-June 30, 2007, Article Projects at Planet Thailand, 133 North 7th Street, Brooklyn, New York with Jeanine Anthony, Jordan Buschur, Jamie Chiarello, Langdon Graves, Jesse Martin, John Monteith, Jac Lahav, Jeremy Olson, Purdy Eaton, Colette Robbins&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;71. EDUARDO CERVANTES: A New Man February 16-March 18, 2007, Realform Project Space, 218 Bedford Avenue, Brooklyn, New York.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;70. TWILIGHT TIME January 6-February 11, 2007, Realform Project Space, 218 Bedford Avenue, Brooklyn, New York with Jamie Chiarello, Emmanuelle Gauthier, Liz Insogna, Michael Norkin, Jeremy Olson, Deborah Pohl, Grace Roselli, Michael Schall, Conrad Vogel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;69. SQUARED December 6, 2006-January 11, 2007, The Educational Alliance, 197 East Broadway, New York with Peter Barrett, Caroline Burton, Jeff Feld, Danielle Mysliwiec, Keiko Narahashi, Mary Ann Strandell, Bradley Wester, John Zinsser&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;68. YULIYA LANINA: Play With Me October 27-December 31, 2006, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;67. SUSAN HAMBURGER/CONRAD VOGEL: Recent Work September 27-October 21, 2006, Allen Priebe Gallery, The University of Wisconsin in Oshkosh&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;66. THE RAW AND THE COOKED September 21-October 29, 2006, Central &amp;amp; Hampden Galleries, The University of Massachusetts in Amherst with Victoria Calabro, Katherine Daniels, Marilla Palmer, Anna Pedersen, Mark Power, Diana Puntar, Carol Salmanson, Gae Savannah&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;65. JENNY CARPENTER: Branded July 21-September 30, 2006, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;64. REBECCA HACKEMANN: Peek July 7-August 20, 2006, Dabora Gallery, 1080 Manhattan Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;63. DEBRA STECKLER: Ordinary People April 21-May 21, 2006, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;62. THE SOCIAL BODY April 8-May 21, 2006, Rocket Projects, 3440 North Miami Avenue, Miami with Kristin Anderson, Sandra Bermudez, Fritz Chesnut, Feral Childe, Carla Gannis, Morgan Hughes, Jennifer Karady, Holly Lynton, Leemour Pelli, Alexander Reyna, Raven Schlossberg, Diana Shpungin and Nicole Engelmann&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;61. NATIVE SPIRIT March 24-April 29, 2006, Supreme Trading, 213 North 8th Street, Brooklyn with Michael Anderson, Amy Beecher, Marcy Brafman, Andrew Chesler, Molly Crabapple, Georgia Elrod, Jonathan Feldschuh, Limor Gasko, Sara Klar, Liz Magic Laser, Susan Lipper, Dean Monogenis, Andrea Morganstern, Leemour Pelli, Rick Prol, Diana Puntar, Grace Roselli, Dan Rosenbaum, Debra Steckler, Emma Tapley, Ruth Waldman.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;60. HOME BASE Curated with Anat Litwin, March 1-March 30, 2006, 126 Greenpoint Avenue, Brooklyn with Diane Apostolacus, Marcy Brafman, Robert Grant, Mark Power&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;59. TARA GIANNINI: Little Vanities, February 24-April 9, 2006, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;58. ROBERT GRANT: Roberta's Revenge, January 20–February 19, 2006, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;57. GAE SAVANNAH: A Fool and his Froth Are Soon Parted January 6-February 12, 2006, Dam Stuhltrager Gallery, 38 Marcy Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;56. LINDA BYRNE: Recycling Nature  December 9, 2005-January 15, 2006, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;55. CONRAD VOGEL: Adventures from the Past November 4–December 4, 2005, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;54. PHOTO NEW YORK October 6-9, 2005, The Metropolitan Pavilion, 125 West 18th Street, New York with Elizabeth Hendler, Les Joynes, Jennifer Karady, Keren Moscovitch, Jenn Miller.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;53. MELANIE VOTE: The Lap-Top Series September 30–October 30, 2005, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;52. BEAUTIFUL DREAMER September 9–October 21, 2005, SPACES Inc, 2220 Superior Viaduct, Cleveland, Ohio with Peggy Bates, Sandra Bermudez, Amy Chaiklin, Maureen Connor, Katherine Daniels, Michelle Dicello, Jonathan Feldschuh, Carla Gannis, Tara Giannini, Marcella Hackbardt, Elizabeth Huey, Kim Keever, Craig Kucia, Liz-N-Val, Karen Marston, Dean Monogenis, Russell Nachman, Anna Pedersen, Leemour Pelli, Mark Power, Alexander Reyna, Tim Rollins, Gae Savannah, Raven Schlossberg, Drew Shiflett, Mary Ann Strandell, Conrad Vogel, Ruth Waldman&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;51. MARCY BRAFMAN: Face Value August 26–September 25, 2005, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;50. VERONICA CROSS: Homecoming July 22–August 21, 2005, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;49. SARAH TRIGG: Some Economic Tissues June 17–July 17, 2005, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;48. EVERLAND June 10-July 23, 2005, Annina Nosei Gallery, 530 West 22nd Street, New York with Peggy Bates, Erik Benson, Sandra Bermudez, Nancy Friedemann, Linda Ganjian, Kim Keever, Dean Monogenis, Russell Nachman, Mark Power, Raven Schlossberg, Ruth Waldman.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;47. NURTURING THE NEW 2005 June 6, 2005, Nurture Art Annual Benefit at Spike Gallery, 547 West 20th Street, New York with Amy Chaiklin, Carla Gannis, Norma Markley, Leemour Pelli, Catya Plate, Maria Spector, Ginna Triplett, Marina Tsesarskaya, Deborah Wasserman&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;46. KATHERINE DANIELS: Window Box Arabesque May 13–June 12, 2005, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;45. GELAH PENN: On Dangerous Ground April 8–May 8, 2005, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;44. CULTURE VULTURE April 1–May 1, 2005, Jack The Pelican Presents, 487 Driggs Avenue, Brooklyn with Sandra Bermudez, Marcy Brafman, David Henry Brown Jr, Amie Cunningham, Katherine Daniels, Emanuelle Gauthier, Susan Hamburger, Karen Heagle, Elizabeth Huey, Dean Monogenis, Russell Nachman, Diana Puntar, Alexander Reyna, Gae Savannah, Raven Schlossberg, Philip Simmons, Cindy Tower, Ginna Triplett, Conrad Vogel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;43. MARY ANN STRANDELL: The Moving Wall February 25–March 27, 2005, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;42. CINDY TOWER: Road Show January 21–February 20, 2005, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;41. LOST IN PLACE January 12–March 27, 2005, Planet Thailand, 133 North 7th Street, Brooklyn with Aillinn Brennan, Patty Cateura, Mariestella Colon-Astacio, Karen Marston, Juri Morioka, John Mullen, Carol Salmanson&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;40. KIM CONNERTON: Nico December 17, 2004–January 16, 2005, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;39. KRISTIN ANDERSON: The Block Where I Grew Up November 12–December 12, 2004, Realform, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;38. FLAVIA SOUZA: Struggle in Paradise Curated by Kim Connerton, November 12–December 12, 2004, Realform, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;37. RUTH WALDMAN: Drawings October 8–November 7, 2004, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;36. INTIMACY September 23–October 24, 2004, Brooklyn Fireproof, 101 Richardson Street, Brooklyn with Sandra Bermudez, China Blue, Kim Connerton, Annette Cyr, Jen Denike, Carla Gannis, Elizabeth Hendler, Amy Jenkins, Jennifer Karady, Alexis Karl, Norma Markley, Leemour Pelli, Gae Savannah, Raven Schlossberg, Roxanne Wolanczyk&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;35. DIANA SHPUNGIN &amp;amp; NICOLE ENGELMANN: Second Generation Ego  September 16–October 14, 2004, Hampden and Central Galleries, University of Massachusetts, Amherst&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;34. LIZ-N-VAL: Downpour September 3–October 3, 2004, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;33. BEAUTIFUL GROTESQUE  Curated with Anjali Suneja, June 24-July 31, 2004&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;Riva Gallery, 529 West 20th Street, New York with Reed Anderson, Hans Bellmer, Jeanne Dunning, Philip Guston, Mike Kelley, Tony Matelli, David Nicholson, Leemour Pelli, Andres Serrano, Ginna Triplett, Joel-Peter Witkin.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;32. NATASHA SWEETEN: A Mini Retrospective June 18-July 25, 2004, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;31. VISIONARIES Curated with Anat Litwin, June 13-August 1, 2004, Makor Gallery, 35 West 67th Street, New York with Miriam Cabessa, Offri Cnaani, Zachary Harris, Raffael Lomas&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;30. LEEMOUR PELLI: From The Heart May 26–June 26, 2004, Annina Nosei Galllery, 530 West 22nd Street, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;29. MARKET VALUE May 15-July 26, 2004, Cuchifritos Art Space, 120 Essex Street, New York with Kristin Anderson, Marcy Brafman, David Henry Brown Jr, Heidi Cody, Rainer Ganahl, Susan Hamburger, Marni Kotak, Lisa Levy, Daniel Mirer, Ester Partegas, Alexander Reyna, Tom Schreiber.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;28. LAURA FAYER: Rapt May 7-June 13, 2004, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;27. B-LONGING Curated with Anat Litwin, April 27-June 6, 2004, Makor Gallery, 35 West 67th Street, New York with Janice Caswell, Ralph Hassard, Deborah Wasserman&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;26. MARCY BRAFMAN: Negative Reciprocal April 2-May 2, 2004, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;25. CAROLINE BURTON: Window Works February 13–March 21, 2004, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;24. VOID February 5-March 20, 2004, The Educational Alliance, 197 East Broadway, New York with John Beech, Erik Benson, John Berens, Janice Caswell, Takuya Chikushi, Tamara Gayer, Claire Moore, Patrick Meagher &amp;amp; Dave Shim, John Mullen, Lizzie Scott, Jenny Vogel, Mark Woods.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;23. AILLINN BRENNAN: Dystopian Paintings January 31-February 28, 2004, Lifespace Gallery, Long Island City, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;22. MICHAEL NORKIN: Varying Expanses January 9–February 8, 2004, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;21. AMY CHAIKLIN: Portals of Truth December 5, 2003–January 4, 2004, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;20. ERWIN REDL: Light Installations and Drawings November 21, 2003–January 7, 2004, Riva Gallery, 529 West 20th Street, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;19. CYNTHIA HARTLING: Paintings October 24-November 30, 2003, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;18. ID_ENTITY September 19-November 16, 2003, Nurture Art Inc, 475 Keap Street, Brooklyn with Sandra Bermudez, Amy Chaiklin, Chrissy Conant, Veronica Cross, Carla Gannis, Tina La Porta, Joan Linder, Norma Markley, Leemour Pelli, Catya Plate, Gae Savannah, Diana Shpungin &amp;amp; Nicole Engelmann, Maria Spector, Ginna Triplett, Marina Tsesarskaya, Deborah Wasserman.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;17. MARK POWER: New Sculpture September 12-October 19, 2003, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;16. GRACE ROSELLI: Drawings August 9-September 6, 2003, Realform Project Space, 218 Bedford Avenue, Brooklyn&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;15. CARTOON June 12-August 9, 2003, Curated with Charles Riva, Riva Gallery, 529 West 20th Street, New York with Henry Darger, James Esber, Wayne Gonzales, Ray Johnson, Mark Kostabi, Joan Linder, Bernhard Martin, Takashi Murakami, Tom Sachs, Kenny Scharf, Flavia Souza, Ginna Triplett, Marc Dean Veca, Andy Warhol.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;14. CURATORS CHOICE May 17-May 31, 2003, Curated with Nicola Jasek, Artists Alliance Inc,  107 Suffolk Street, New York with Carla Gannis, Mandy Morrison, Diana Puntar, Jeff Feld, Robyn Jordan&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;13. LIMINAL II March 27–April 30, 2003, Hampden Gallery, University of Massachusetts in Amherst. Peggy Bates, Miriam Cabessa, Janice Caswell, Carter Hodgkin, Laura Lobdell, Anna Pedersen, Erwin Redl, Drew Shiflett, Sonita Singwi, Lisa Stefanelli&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;12. PRESENCE March 7-March 10, 2003, Scope Art Fair at The Dylan Hotel, 52 East 41st Street, New York with Andi Archer, Miriam Cabessa, Andrea Champlin, Amanda Church, Suzan Dionne, Carla Gannis, Cynthia Hartling, Carter Hodgkin, Alexis Karl, Masayuki Kawai, Tina La Porta, Elissa Levy, Laura Lobdell, Holly Lynton, Margalit Mannor, Michael Norkin, Sharon Paz, Anna Pedersen, Leemour Pelli, Mark Power, Diana Puntar, Alexander Reyna, Ginna Triplett&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;11. SOME (ARE) PAINTING II December 21, 2002–January 24, 2003, The Educational Alliance, 197 East Broadway, New York with Peggy Bates, Aillinn Brennan, Andrea Champlin, Andrew Chesler, Amanda Church, Elizabeth Cooper, Laura Fayer, Jonathan Feldschuh, Bob Griffin, Joyce Kim, John Mullen, Anna Pedersen, Lisa Stefanelli, Sarah Trigg&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;10. ANYWHERE BUT HERE November 15–December 13, 2002, Curated with Peter Lasell at  MediaMerge, 450 West 41st Street, New York with Andrea Champlin, Bob Griffin, Pete Lasell, Sharilyn Neidhardt, Mark Power, Katherine Powers, Gae Savannah, Julio Soto, Zander Reyna&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;9. SOCIAL SPACE October 26–November 30, 2002, Cuchifritos Art Space, 120 Essex Street, New York with Carrie Dashow, Devon Dikeou, Jill Epstein, Matthias Geiger, Tali Hinkis, Joni Lane, Susan Leopold, Mandy Morrison, Coralee Rose, Lizzie Scott, Patricia Smith&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;8. OPEN VIEW October 19–November 30, 2002, Artists Alliance Inc, 107 Suffolk Street, New York with Leah Bendahan, Marcy Brafman, Diane Lowy, Sharilyn Neidhardt, Linda Obuschuska.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;7. BODIES &amp;amp; FORMS October 19-20, 2002, John Eicher Studio, 68 Jay Street, Brooklyn with Amy Chaiklin, Veronica Cross, Elissa Levy, Michael Norkin, Leemour Pelli, Rachel Youens&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;6. EROTIKA July 11-August 10, 2002, Riva Gallery, 529 West 20th Street, New York with Alicia Ackerman, Jane Benson, Joanna Hoar, Tina La Porta, Tracy Nakayama, Raven Schlossberg, Su-en Wong, and curated with Charles Riva: Maryse Alberti, Dinos and Jake Chapman, Augusto Canedo, Katrin Fridriks, Margreet Baltius, David La Chapelle, David Levinthal, Warren Neidich, Kiki Seror, Andres Serrano, Tim Sobieski-White, Wulf Treu&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;5. THE BODY OR THE LANDSCAPE October 13-November 18, 2001, The Artists Alliance Inc, 107 Rivington Street, New York with Alicia Ackerman, Sandra Bermudez, Amy Chaiklin, Jeanne Costello, Jennifer DeNike, Laura Emrick, Limor Gasko, Alexis Karl, Lisa Kereszi, Peter Matra, Daniel Mirer, Jennifer Nehrbass, Leemour Pelli, Michele Peress, Grace Roselli, Raven Schlossberg, David Schulz, Cheryl Van Hooven, Carol Warner, Jill Waterman, Suzanne Wimmer&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;4. LIMINAL September 21–October 13, 2001, The Space @ Media Triangle, 640 Broadway, New York with Heike Bartels, Janice Caswell, Laura Lobdell, Christine Perrotta, Erwin Redl, Drew Shiflett&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;3. SELECTED AFFINITIES June 18–October 18, 2001, Planet Thailand,133 North 7th Street, Brooklyn with Marcy Brafman, Amy Chaiklin, Bob Griffin, Dan Levenson, Michael Norkin, Leemour Pelli, Tina Marie Poulin.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;2. SOME (ARE) PAINTING June 9–July 21, 2001, John Gibson Gallery, 568 Broadway New York with Karen Arm, Peggy Bates, Orly Cogan, Elizabeth Cooper, Jonathan Feldschuh, Isolde Kille, Anna Pedersen, Lisa Stefanelli, Rachel Urkowitz&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;1. SUGAR+SPICE November 17–December 10, 2000, The Space @ Media Triangle, 640 Broadway, New York with Amy Chaiklin, Orly Cogan, Jen DeNike, Carla Gannis, Elissa Levy, Maripol, Norma Markley, Janet Pihlblad, Raven Schlossberg, Carol Warner, Charmaine Wheatley, Jessie Wolk. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;EVENTS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;1. REAL ART TODAY  March 1, 2005 - Makor-Steinhardt Center/92nd Street Y, 35 West 67th Street, New York. Chrissy Conant, Jeff Feld, Charley Friedman, Deborah Garwood&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;2. REAL ART TODAY April 5, 2005 - Makor-Steinhardt Center of the 92nd Street Y, 35 West 67th Street, New York. Erik Benson, Susan Leopold, Gae Savannah, John Zinsser&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;3. REAL ART TODAY May 12, 2005 - Makor-Steinhardt Center/ 92nd Street Y, 35 West 67th Street, New York. Alexis Karl, Cheryl Van Hooven, Conrad Vogel, Ruth Waldman&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;4. REAL ART TODAY September 13, 2005 - Makor-Steinhardt Center/92nd Street Y, 35 West 67th Street, New York. John Berens, Nancy Friedemann, Kim Keever&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;5. REAL ART TODAY October 11, 2005 - Makor-Steinhardt Center/92nd Street Y, 35 West 67th Street, New York. Adam Cvijanovic, Jonathan Feldschuh, Mark Woods &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;6. REAL ART TODAY November 8, 2005 - Makor-Steinhardt Center/92nd Street Y, 35 West 67th Street, New York. Orly Cogan, Rebecca Hackemann, Dean Monogenis &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;7. REAL ART TODAY December 12, 2005 - Makor-Steinhardt Center/92nd Street Y, 35 West 67th Street, New York. Amy Chaiklin, Mike Cockrill, Leemour Pelli&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;8. REAL ART TODAY January 10, 2006 - Makor-Steinhardt Center/92nd Street Y, 35 West 67th Street, New York. "Identity Aesthetics--Exploring Humanity" with Kristin Anderson, China Blue, Rainer Ganahl, and Richard Humann.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;9. REAL ART TODAY February 14, 2006 - Makor-Steinhardt Center/92nd Street Y, 35 West 67th Street, New York. "Significant Other--Collaboration and Collusion" with Feral Childe (Moria  Carlson and Alice Wu) Marni Kotak, Lisa Levy, and Tom Schreiber&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;10. REAL ART TODAY: March 21, 2006 - Makor-Steinhardt Center/92nd Street Y, 35 West 67th Street, New York. "Artifice Analysis--Between Art and Science" with Mark Esper, Carter Hodgkin, and Michael Rees&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;11. REAL ART TODAY: April 11, 2006 - Makor-Steinhardt Center/92nd Street Y, 35 West 67th Street, New York. "Inner Depth--The Body as Muse" with Andrea Cote, Charley Friedman, Karen Marston, and Oriane Stender&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;12. REAL ART TODAY: May 9, 2006 - Makor-Steinhardt Center/92nd Street Y, 35 West 67th Street, New York. "Beauty's Burden--The New Romanticism" with Katherine Daniels, Margaret Lanzetta, Marilla Palmer, and Gae Savannah&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;13. ARTIST SALON: JOSH PETERS June 21, 2007 - Terminal Warehouse Chelsea, 269 Eleventh Avenue, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;14. MADE IN THE USA:  ARTISTS ROUNDTABLE  October 16, 2007 - The Educational Alliance, 197 East Broadway, New York. "The American Tapestry--Designing Identity" with Tine Kindermann, Juri Morioka, Flavia Souza, and Yona Verwer. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;15. THE SKYLIGHT READING SERIES, October 25, 2007 - The Educational Alliance, 197 East Broadway, New York. Featuring Steve Dalachinsky, Yuko Itamo, and Jeffrey Cyphers Wright&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;16. REALITY CHECKED, October 28, 2007. Panel discussion with Jeanette Cole and Tim Maul, Dorsky Gallery, 11-03 45th Avenue, Long Island City, New York.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: courier new;"&gt;17. ARTIST SALON: JOSH PETERS November 29, 2007. 532GALLERY, 532 West 25th Street, New York&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27814060-115342116696131143?l=curatedbydavidgibson.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27814060/posts/default/115342116696131143'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27814060/posts/default/115342116696131143'/><link rel='alternate' type='text/html' href='http://curatedbydavidgibson.blogspot.com/2006/07/complete-history-of-exhibitions-and.html' title='A COMPLETE HISTORY OF EXHIBITIONS AND EVENTS'/><author><name>David Gibson</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://3.bp.blogspot.com/_EjzYehVO2Tc/SVM8G2EiHsI/AAAAAAAADcI/eeajHOlddkw/S220/n787564465_230271_9638.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-27814060.post-1012568965442857342</id><published>2007-09-24T14:59:00.000-04:00</published><updated>2007-10-31T23:04:29.553-04:00</updated><title type='text'>ARTIST PORTRAITS</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/ballengee_aux.jpg"&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/JB_AUG.05v2e.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/JB_AUG.05v2e.jpg" alt="JOHN BERENS" border="0" /&gt;JOHN BERENS&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2002: Some Are Painting II, The Educational Alliance&lt;br /&gt;2003: Void, The Educational Alliance&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/opening6web.jpg"&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/marcy_brafman-1.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/marcy_brafman-1.jpg" alt="MARCY BRAFMAN" border="0" /&gt;MARCY BRAFMAN&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/aillinn.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/aillinn.jpg" alt="AILLINN BRENNAN" border="0" /&gt;AILLINN BRENNAN&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/laster12-3-14.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/laster12-3-14.jpg" alt="DAVID HENRY BROWN JR" border="0" /&gt;DAVID HENRY BROWN JR&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/Amy_8A-2_200.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/Amy_8A-2_200.jpg" alt="AMY CHAIKLIN" border="0" /&gt;AMY CHAIKLIN&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/schueler1-15-5.jpg"&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/laster7-2-13.jpg"&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/studioweb57.0.jpg"&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/barone6-16-7.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/barone6-16-7.jpg" alt="CHRISSY CONANT" border="0" /&gt;CHRISSY CONANT&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/barone9-27-64.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/barone9-27-64.jpg" alt="ELIZABETH" cooper="" border="0" /&gt;ELIZABETH COOPER&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/14_Amy_Johnston.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/14_Amy_Johnston.jpg" alt="AMIE CUNNINGHAM with Johnston Foster" border="0" /&gt;AMIE CUNNINGHAM with Johnston Foster&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/319.jpg"&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/outbrook14.jpg"&gt;&lt;/a&gt;&lt;/b&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/laster7-8-4.jpg"&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/0905_jeffdavid.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/0905_jeffdavid.jpg" alt="JEFF FELD at left with David Gibson" border="0" /&gt;JEFF FELD at left with David Gibson&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/barone4-27-11.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/barone4-27-11.jpg" alt="RAINER" ganahl="" border="0" /&gt;RAINER GANAHL&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/rainer.jpg"&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/barone9-27-67.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/barone9-27-67.jpg" alt="LINDA GANJIAN" border="0" /&gt;LINDA GANJIAN&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/AluminumFoilHat.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/AluminumFoilHat.jpg" alt="CARLA GANNIS" border="0" /&gt;CARLA GANNIS&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/dg2_11_16.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/dg2_11_16.jpg" alt="DAVID GIBSON in the studio of Marcy Brafman" border="0" /&gt;DAVID GIBSON in the studio of Marcy Brafman&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/2005%20Self%20portrait%20with%20painted%20book.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/2005%20Self%20portrait%20with%20painted%20book.jpg" alt="ROBERT GRANT" border="0" /&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/outbrook1.jpg"&gt;HARTLING&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/laster8-10-11.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/laster8-10-1.jpg" alt="KAREN HEAGLE" border="0" /&gt;KAREN HEAGLE&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/hueyartopening-1.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/hueyartopening-1.jpg" alt="ELIZABETH HUEY" border="0" /&gt;ELIZABETH HUEY&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/kostabi5-24-1s.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/kostabi5-24-1s.jpg" alt="MARK KOSTABI" border="0" /&gt;MARK KOSTABI&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/6612/1331/1600/danlevenson.jpg"&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/robinson5-20-13s.jpg"&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/pic_11.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/pic_1.jpg" alt="DEAN MONOGENIS" border="0" /&gt;DEAN MONOGENIS&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/laster12-3-3.jpg"&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/honigman7-15-1.jpg"&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/2LPelli.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/2LPelli.jpg" alt="LEEMOUR PELLI" border="0" /&gt;LEEMOUR PELLI&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/13_TPoulin.0.jpg"&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/4873141946122m.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/4873141946122m.jpg" alt="MARK POWER" border="0" /&gt;MARK POWER&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/071305-Puntar.0.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/071305-Puntar.jpg" alt="DIANA PUNTAR" border="0" /&gt;DIANA PUNTAR&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/Erwin.0.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/Erwin.jpg" alt="ERWIN REDL" border="0" /&gt;ERWIN REDL&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/freedom_tim.gif"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/freedom_tim.gif" alt="TIM ROLLINS" border="0" /&gt;TIM ROLLINS&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/robinson3-27-20.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/robinson3-27-20.jpg" alt="GRACE ROSELLI" border="0" /&gt;GRACE ROSELLI&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/22_AOlshaanBNaberASerrano.jpg"&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/honigman6-24-14.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/honigman6-24-14.jpg" alt="RAVEN SCHLOSSBERG" border="0" /&gt;RAVEN SCHLOSSBERG&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/schreiber.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/schreiber.jpg" alt="TOM SCHREIBER" border="0" /&gt;TOM SCHREIBER&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/laster12-13-111.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/laster12-13-111.jpg" alt="DIANA SHPUNGIN" border="0" /&gt;DIANA SHPUNGIN&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/ulang2000-03-07_11.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/ulang2000-03-07_11.jpg" alt="LISA STEFANELLI (right)" border="0" /&gt;LISA STEFANELLI (right)&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/barone9-27-62.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/barone9-27-62.jpg" alt="GINNA TRIPLETT" border="0" /&gt;GINNA TRIPLETT&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/conradvogel1.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/conradvogel.jpg" alt="CONRAD VOGEL" border="0" /&gt;CONRAD VOGEL&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/DWp2.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/DWp2.jpg" alt="DEBORAH WASSERMAN" border="0" /&gt;DEBORAH WASSERMAN&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/laster3-20-14.0.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/laster3-20-14.jpg" alt="SU-EN WONG on right with Giles Lyon" border="0" /&gt;SU-EN WONG on right with Giles Lyon&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/20_MWoods1.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/20_MWoods1.jpg" alt="MARK WOODS" border="0" /&gt;MARK WOODS&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="http://photos1.blogger.com/blogger/6612/1331/1600/12_MWoods_JFeldschuh.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/blogger/6612/1331/400/12_MWoods_JFeldschuh.jpg" alt="MARK WOODS and JONATHAN FELDSCHUH" border="0" /&gt;MARK WOODS and JONATHAN FELDSCHUH&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27814060-1012568965442857342?l=curatedbydavidgibson.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27814060/posts/default/1012568965442857342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27814060/posts/default/1012568965442857342'/><link rel='alternate' type='text/html' href='http://curatedbydavidgibson.blogspot.com/2007/09/artist-portraits.html' title='ARTIST PORTRAITS'/><author><name>David Gibson</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://3.bp.blogspot.com/_EjzYehVO2Tc/SVM8G2EiHsI/AAAAAAAADcI/eeajHOlddkw/S220/n787564465_230271_9638.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-27814060.post-6919520217647655485</id><published>2007-01-17T13:58:00.000-05:00</published><updated>2007-09-19T12:54:30.183-04:00</updated><title type='text'>Leah Oates interviews David Gibson</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic; font-weight: bold; color: rgb(255, 204, 0);font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(102, 51, 102);"&gt;What are your favorite shows that you have curated, and why?&lt;/span&gt; &lt;/span&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;First I would have to decide what factor made one of my shows a favorite. The ones that seemed least likely to get pulled off, I suppose. These include my first two, SUGAR+SPICE and SOME (ARE) PAINTING; then three exhibitions which I co-curated at the Riva Gallery, EROTIKA, CARTOON, and BEAUTIFUL GROTESQUE. That same year also found me organizing my first exhibition for a university gallery, LIMINAL, and participating in an art fair with PRESENCE at Scope New York. In 2005 I curated EVERLAND for Annina Nosei, an art world legend and old family friend; in September of that year, my first regional nonprofit exhibition at Spaces Inc in Cleveland, Ohio, with BEAUTIFUL DREAMER which included 28 artists and was exhibited in a 3,800 square foot gallery. The entire show was shipped there and back, and a catalogue was also published. &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 204, 0);font-family:arial;font-size:100%;"  &gt;&lt;span style="font-weight: bold; font-style: italic; color: rgb(102, 51, 102);"&gt;How has your curating evolved from the beginning of your career to now?&lt;/span&gt; &lt;/span&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;I don’t know if my curating has evolved so much as my reasons for doing it. The difference between a young dog and an old dog is mainly the value of experience. Though I’m by no means an old dog, I have learned a lot in the last seven years about the role of the curator, about the value of the specific experience linked to this role, and what it’s ultimately good for. What has changed is the nature of my relationship to the specific artists with whom I have become accustomed to dealing, and the galleries as well. My main interest these days is to find prospects for my exhibitions, and individually for some artists, in galleries of note, for critical and professional advancement; and at universities, for teaching and learning, as well as to travel.  On a deeper level, I have come to realize the levels at which my reasons for curating connect with my reasons for writing about art, for studying literature and culture, and for writing about human experience in memoir and fiction. &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 102);font-family:arial;font-size:100%;"  &gt;&lt;span style="font-style: italic; font-weight: bold;"&gt;&lt;span style="color: rgb(102, 51, 102);"&gt;What is your approach to curating? Do you start with an idea first and find artists or do you see art works first and then begin thinking about a show? How do you find artists to work with, in archives or through word or mouth?&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;I don’t have a specific approach. Sometimes the ideas come from the synergy between random studio visits, from an exhibition which I visited and was displeased with, or from literary sources. I have to say that the first of these is my preferred method, because it’s left up to chance, and allows for introspection. I find artists everywhere, in group exhibitions, benefits, open studios, etc. These days I find more people through referrals than I once did. Sometimes I will do several studio visits with an artist before I deciide to include them in a group exhibition, and sometimes it happens right away, dependent upon the availability of circumstance. These days I tend to plan shows first and then sort out, from amongst the artists I already know, whom I would like to include; and then I ask a few of them for referrals to other people I would have considered had I known them at the time. I tend to think of the relationship between artist and curator as a conversation about ability and intentions, rather than as a pale-faced context for success or failure. &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; font-style: italic; color: rgb(255, 204, 0);font-family:arial;font-size:100%;"  &gt;&lt;span style="color: rgb(102, 51, 102);"&gt;You grew up around art and are from a family with a long connection and love for the arts. How has that shaped you and how do you think the art world has changed?&lt;/span&gt; &lt;/span&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;It’s not as much of a family in the arts as one might think. I have a father (John Gibson) who was an important gallerist in Soho from the early Sixties up until 2001. He exhibited the work of a number of seminal Conceptual artists, including Joseph Beuys, Marcel Broodthaers, Arman, Christo, Ben Vautier, Peter Hutchinson, James Carpenter, Jean Le Gac, Bill Beckley, William Childress, et al. In the Eighties and Nineties he also introduced the work of a variety of younger talents including John Armleder, Olivier Mosset, Bertrand Lavier, Eve Andree Laramee, Thom Merrick, Matthew McCaslin, Wolfgang Staehle, et al. He also collaborated with important curators of the period such as Collins &amp;amp; Milazzo. Of course, I was away at college during much of this. It was only when visiting home now and then that I would get a glimpse of what was going on. The most good that it did me was to help form the manner of my thinking about art, equivalent to the intellectual level of art graduate school, but without all of the political agendas that such a situation involves. I saw artists as real people, and as artists they were successful, communicative, and often collaborative. My father’s gallery, and the few other galleries showing their work, like Daniel Newburg, Sandra Gering, and Annina Nosei, were the locus of this community, and there was little evidence of the rampant bohemianism, critical of everyone and everything in the upper echelons of the art business, that I find in many artists today. The artist as loser is a very unattractive trait. We have to build communities that operate at all levels of the art world, and artists have to travel and see how things work in other places. They also have to respect the people who run galleries. This is a business in which almost everyone is self-made, and they do it because art inspires them. Of course there are trends in taste, and market forces such as real estate and the power of national currencies, that drive business. But it’s all about relationships, and they have to be nurtured from both sides. &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;span style="font-weight: bold; font-style: italic; color: rgb(255, 204, 0);"&gt;&lt;span style="color: rgb(102, 51, 102);"&gt;You do a lot of studio visits and actively look at artists work and you are very artist-friendly. Why do you think that other curators are not so artist-friendly and are not accessible to artists? Is there any way for artist to approach such individuals?&lt;/span&gt; &lt;/span&gt;Many of the younger set of professional people in the art world are in it for their careers. Either they come from a business background or have struggled up from minor gallery jobs to positions of some authority. Their main experience has not been in face-to-face contact with artists, except those who are affiliated with the institution where they work. They possess an institutional mentality which also serves as a defense mechanism against too much experience that is not guided by the right precepts. Also, many curators are also artists, and perhaps there is a creeping criticality that really emerges from competing agendas which they have not surmounted. I wish there were less hyphenated professionals. Everywhere I look there are artist-critics, artist-curators, artist-gallerists. Many gallerists began as artists and gave it up because they found their talents lay in business. This includes a number of individuals whom you might not suspect, such as Robert Miller, Matthew Marks, and Jeffrey Deitch. Also, many young art professionals are in love with what they see as they glamour of the art world, the beautiful people and trends restaurants. This is reinforced by reports in various art publications that celebrate sex, money, parties, and the like. I always say that I’m not a star, I’m a worker, and I want to meet and collaborate with other workers. Stars burn out. I would say that you should keep working and maybe they will contact you. If not, then not. It just wasn’t in the cards. &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;span style="font-weight: bold; font-style: italic; color: rgb(255, 204, 0);"&gt;&lt;span style="color: rgb(102, 51, 102);"&gt;What advice would you give to artists who want to show in New York?&lt;/span&gt; &lt;/span&gt;Since I’m both a lifelong art world participant and an native New Yorker, I am perhaps not the best person to ask. I am also not an artist. You should write to successful artists through their galleries and ask their advice. Flash Art also publishes a guide called “Art Diary” that includes the home addresses of many well-known artists, critics, etc, around the world. Read “The Art Dealers” by Laura de Coppet and Alan Jones (Soho Press) to introduce you to the mindset of many contemporary, and some historical gallerists. When you visit the city see as much as you can and attend lectures, docent tours, etc. Meet people here and keep up with them when you’re back from wherever else you live. It helps to know people, not only for connections, but to see New York as a real place inhabited by real people. &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; font-style: italic; color: rgb(102, 51, 102);font-family:arial;font-size:100%;"  &gt;What do you think of the art market and of the proliferation of art fairs right now? &lt;/span&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;Talking about the art market doesn’t generally help artists in any way. If you want to be a statistic, then live like one. If not, then not. There have always been art fairs, and there are more of them now because an industry exists to maintain them. They also generate a fair amount of talk, and are social events where people from different parts of the world meet to do business.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(102, 51, 102);font-family:arial;font-size:100%;"  &gt;More to come...&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27814060-6919520217647655485?l=curatedbydavidgibson.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27814060/posts/default/6919520217647655485'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27814060/posts/default/6919520217647655485'/><link rel='alternate' type='text/html' href='http://curatedbydavidgibson.blogspot.com/2007/01/leah-oates-interviews-david-gibson.html' title='Leah Oates interviews David Gibson'/><author><name>David Gibson</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://3.bp.blogspot.com/_EjzYehVO2Tc/SVM8G2EiHsI/AAAAAAAADcI/eeajHOlddkw/S220/n787564465_230271_9638.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-27814060.post-116637354014155342</id><published>2006-12-17T11:34:00.000-05:00</published><updated>2006-12-17T11:40:27.720-05:00</updated><title type='text'>What is Article Projects?</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/x/blogger/5734/2935/1600/677924/Brassai0001.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://photos1.blogger.com/x/blogger/5734/2935/320/771141/Brassai0001.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-family: arial;"&gt;It is not a gallery. I do not work with a stable of artists, nor do I desire to form one. I do have artists who have been featured in my exhibitions regularly, but this is based on two factors, the accessibility of the work to a variety of themes, and the good working relationships which I have been able to nurture with each of these individuals. These relationships are founded upon a mutual trust and regard for each other’s talents and tastes, and an understanding that I am not interested in becoming a dealer for them. I am interested in the tangent between their abilities and the sense of generational or epochal ideas that can be expressed by commingling their forms of expression with mine. I primarily organize group exhibitions, or sometimes organize site-specific or scale speciific exhibitions, but primarily in non-traditional, non-commercial spaces like storefront windows and abandoned warehouses, sometimes in conjunction or under the authority of traditional non-profit organizations. I may also organize online projects, panel discussions, and performative or interactive art events. Article Projects is the sum total of my curatorial endeavors as they have been previously accomplished and may be identified in the future.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27814060-116637354014155342?l=curatedbydavidgibson.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27814060/posts/default/116637354014155342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27814060/posts/default/116637354014155342'/><link rel='alternate' type='text/html' href='http://curatedbydavidgibson.blogspot.com/2006/12/what-is-article-projects.html' title='What is Article Projects?'/><author><name>David Gibson</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://3.bp.blogspot.com/_EjzYehVO2Tc/SVM8G2EiHsI/AAAAAAAADcI/eeajHOlddkw/S220/n787564465_230271_9638.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-27814060.post-115834656421561972</id><published>2006-09-15T14:55:00.000-04:00</published><updated>2006-09-15T15:30:53.383-04:00</updated><title type='text'>The Big Questions</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/5734/2935/1600/miller.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://photos1.blogger.com/blogger/5734/2935/400/miller.jpg" alt="" border="0" /&gt;&lt;/a&gt;I am often asked by journalists or naifs, for vastly differing purposes, why I do what I do. And I am more often than not unhinged by the prospect of addressing such issues.&lt;br /&gt;&lt;br /&gt;I suppose it is because I both trust and admire creativity, and work in service to it—mainly the idea of it, not the people themselves; they are the ones I have chosen, by mere chance and circumstance—and find that it connects very intimately with my own alternately poetic or utillitarian sensitivity towards subjects and agendas that exist in the world between transmission and reception.&lt;br /&gt;&lt;br /&gt;As Henry Miller used to say, “I am an antenna.”&lt;br /&gt;&lt;br /&gt;[to be continued...]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27814060-115834656421561972?l=curatedbydavidgibson.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27814060/posts/default/115834656421561972'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27814060/posts/default/115834656421561972'/><link rel='alternate' type='text/html' href='http://curatedbydavidgibson.blogspot.com/2006/09/big-questions.html' title='The Big Questions'/><author><name>David Gibson</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://3.bp.blogspot.com/_EjzYehVO2Tc/SVM8G2EiHsI/AAAAAAAADcI/eeajHOlddkw/S220/n787564465_230271_9638.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-27814060.post-115431504055424972</id><published>2006-07-30T22:37:00.001-04:00</published><updated>2008-09-09T01:24:03.891-04:00</updated><title type='text'>ARTIST HISTORIES</title><content type='html'>&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;ALICIA ACKERMAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: The Body or The Landscape, The Artists Alliance&lt;br /&gt;2002: Erotika, Riva Gallery&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;KRISTIN ANDERSON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Market Value at Cuchifritos&lt;br /&gt;2004: Kristin Anderson: The Block Where I Grew Up, Realform Project Space&lt;br /&gt;2006: "Identity Aesthetics" &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Real Art Today Lecture at The Makor-Steinhardt Center of the 92nd Street Y&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2006: The Social Body, Rocket Projects, Miami, Florida&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;PEGGY BATES&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;1998: Peggy Bates: Water Rocks, John Gibson Gallery&lt;br /&gt;2001: Some Are Painting, John Gibson Gallery&lt;br /&gt;2002: Some Are Painting II, The Educational Alliance&lt;br /&gt;2003: Liminal, The University of Massachusetts, Amherst&lt;br /&gt;2005: Everland, Annina Nosei Gallery&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2005: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Beautiful Dreamer, Spaces Inc, Cleveland, Ohio&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;2008: Barachois, Gallery Thomas Jaeckel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;ERIK BENSON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Void, The Educational Alliance&lt;br /&gt;2005: Everland, Annina Nosei Gallery&lt;/span&gt;&lt;br /&gt;2008: Lost Horizon, Herter Gallery, University of Masachusetts in Amherst&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;JOHN BERENS &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2002: Some Are Painting II, The Educational Alliance&lt;br /&gt;2003: Void, The Educational Alliance&lt;/span&gt;&lt;br /&gt;2008: Boundless, Gallery Thomas Jaeckel&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;SANDRA BERMUDEZ&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: The Body or The Landscape, The Artists Alliance&lt;br /&gt;2003: id_entity, Nurture Art Inc&lt;br /&gt;2004: Intimacy, Brooklyn Fireproof&lt;br /&gt;2005: Culture Vulture, Jack the Pelican Presents&lt;br /&gt;2005: Everland, Annina Nosei Gallery&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc, Cleveland, Ohio&lt;br /&gt;2006: The Social Body, Rocket Projects&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;MARCY BRAFMAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: Selected Affinities, Planet Thai&lt;br /&gt;2002: Open View, The Artists Alliance&lt;br /&gt;2004: Marcy Brafman: Negative Reciprocal, Realform Project Space&lt;br /&gt;2004: Market Value, Cuchifritos&lt;br /&gt;2005: Culture Vulture, Jack the Pelican Presents&lt;br /&gt;2005: Marcy Brafman: Face Value, Realform Project Space&lt;br /&gt;2006: Home Base, Anat Litwin Studio&lt;br /&gt;2006: Native Spirit, Supreme Trading&lt;br /&gt;2006: Mesmerize: A Midsummer's Night with Art For Progress&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2007: By Invitation Only, Kinz, Tillou &amp;amp; Feigen&lt;/span&gt;&lt;br /&gt;2008: True to Form, Gallery Thomas Jaeckel&lt;br /&gt;2008: Truth or Consequences, Gallery Thomas Jaeckel&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;AILLINN BRENNAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2002: Some Are Painting II, The Educational Alliance&lt;br /&gt;2004: Aillinn Brennan: Solo, Lifespace&lt;br /&gt;2005: Lost in Place, Planet Thai&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;DAVID HENRY BROWN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Market Value, Cuchifritos&lt;br /&gt;2005: Culture Vulture, Jack the Pelican Presents&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;MIRIAM CABESSA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Presence, Article Projects at The Scope Art Fair&lt;br /&gt;2003: Liminal, The University of Massachusetts, Amherst&lt;br /&gt;2004: Visionaries, The Makor Gallery&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;JENNY CARPENTER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2006: Mesmerize: A Midsummer's Night with Art For Progress&lt;br /&gt;2006: Jenny Carpenter: Branded, Article Projects at Realform&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2007: Jenny Carpenter: True Colors, Article Projects at Realform&lt;br /&gt;2007: By Invitation Only, Kinz, Tillou &amp;amp; Feigen&lt;/span&gt;&lt;br /&gt;2008: True to Form, Gallery Thomas Jaeckel&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;JANICE CASWELL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: Liminal, The Space at Media Triangle&lt;br /&gt;2003: Liminal, The University of Massachusetts, Amherst&lt;br /&gt;2004: Void, The Educational Alliance&lt;br /&gt;2004: &lt;span style="font-style: italic;"&gt;Exploring the Dynamic of The Urban Space&lt;/span&gt;, The Educational Alliance&lt;br /&gt;2004: B-Longing, The Makor Gallery&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;AMY CHAIKLIN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2000: Sugar &amp;amp; Spice, The Space at Media Triangle&lt;br /&gt;2001: Selected Affinities, Planet Thai&lt;br /&gt;2001: The Body or The Landscape, The Artists Alliance&lt;br /&gt;2002: Bodies &amp;amp; Forms, John Eicher Studio&lt;br /&gt;2003: id_entity, Nurture Art Inc&lt;br /&gt;2004: Amy Chaiklin: Portals of Truth, Realform Project Space&lt;br /&gt;2005: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Real Art Today Lecture at The Makor-Steinhardt Center of the 92nd Street Y&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2005: Beautiful Dreamer, Spaces Inc, Cleveland, Ohio&lt;/span&gt;&lt;br /&gt;2008: Paper In The Wind 2, Realform Project Space&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;&lt;br /&gt;ANDREW CHESLER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Some Are Painting II, The Educational Alliance&lt;br /&gt;2006: Native Spirit, Supreme Trading&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;AMANDA CHURCH&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Some Are Painting II, The Educational Alliance&lt;br /&gt;2003: Presence, Article Projects at The Scope Art Fair, New York&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;ORLY COGAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2000: Sugar &amp;amp; Spice, The Space at Media Triangle&lt;br /&gt;2001: Some Are Painting, John Gibson Gallery&lt;br /&gt;2005: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Real Art Today Lecture at The Makor-Steinhardt Center of the 92nd Street Y&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;CHRISSY CONANT&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: ID_ENTITY, Nurture Art Inc&lt;br /&gt;2005: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Real Art Today Lecture at The Makor-Steinhardt Center of the 92nd Street Y&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2006: Real Art Today: Salon Selections, The Makor Steinhardt Center&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2007: Garden Confrontations, Dam Stuhltrager&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;KIM CONNERTON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2004: Intimacy, Brooklyn Fireproof&lt;br /&gt;2004: Flavia Souza:  Struggle in Paradise (as curator), Realform Project Space&lt;br /&gt;2004: Kim Connerton: Nico, Realform Project Space&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;ELIZABETH COOPER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: Some Are Painting, John Gibson Gallery&lt;br /&gt;2002: Some Are Painting II, The Educational Alliance&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;VERONICA CROSS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2002: Bodies &amp;amp; Forms, John Eicher Studio&lt;br /&gt;2003: id_entity, Nurture Art&lt;br /&gt;2005: Veronica Cross:  Homecoming, Realform Project Space&lt;/span&gt;&lt;br /&gt;2008: Paper In The Wind 2, Realform Project Space&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;KATHERINE DANIELS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2005: Culture Vulture, Jack the Pelican Presents&lt;br /&gt;2005: Katherine Daniels:  Window Box Arabesque, Realform Project Space&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc, Cleveland, Ohio&lt;br /&gt;2006: “Beauty’s Burden: The New Romanticism," &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Real Art Today Lecture at The Makor-Steinhardt Center of the 92nd Street Y&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;&lt;br /&gt;2006: The Raw and the Cooked, The University of Massachusetts, Amherst&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2007: By Invitation Only, Kinz, Tillou &amp;amp; Feigen&lt;br /&gt;2007: Garden Confrontations, Dam Stuhltrager&lt;br /&gt;&lt;/span&gt;2008: Paper In The Wind 2, Realform Project Space&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;JEN DENIKE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: The Body or The Landscape, The Artists Alliance&lt;br /&gt;2004: Intimacy, Brooklyn Fireproof&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;LAURA FAYER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2002: Some Are Painting II, The Educational Alliance&lt;br /&gt;2004: Laura Fayer: Rapt, Realform Project Space&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;JEFF FELD&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Curators Choice, The Artists Alliance&lt;br /&gt;2005: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Real Art Today Lecture at The Makor-Steinhardt Center of the 92nd Street Y&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2006: Real Art Today: Salon Selections, The Makor Steinhardt Center&lt;br /&gt;2006: Squared, The Educational Alliance&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;JONATHAN FELDSCHUH&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: Some Are Painting, John Gibson Gallery&lt;br /&gt;2002: Some Are Painting II, The Educational Alliance&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc, Cleveland, Ohio&lt;br /&gt;2005: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Real Art Today Lecture at The Makor-Steinhardt Center of the 92nd Street Y&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2006: Real Art Today: Salon Selections, The Makor Gallery2006: Native Spirit, Supreme Trading&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;RAINER GANAHL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Market Value,  Cuchifritos&lt;br /&gt;2006: "Identity Aesthetics" &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Real Art Today Lecture at The Makor-Steinhardt Center of the 92nd Street Y&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;CARLA GANNIS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2000: Sugar &amp;amp; Spice, The Space at Media Triangle&lt;br /&gt;2003: Presence, Article Projects at Scope Art Fair&lt;br /&gt;2003: Curators Choice, The Artists Alliance&lt;br /&gt;2003: id_entity, Nurture Art&lt;br /&gt;2004: Intimacy, Brooklyn Fireproof&lt;br /&gt;2005: Nurturing the New, Spike Gallery&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc, Cleveland, Ohio&lt;br /&gt;2006: The Social Body, Rocket Projects, Miami, Florida&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;LIMOR GASKO&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: The Body or The Landscape, The Artists Alliance&lt;br /&gt;2006: Native Spirit, Supreme Trading&lt;/span&gt;&lt;br /&gt;2008: Beauty's Burden, The Educational Alliance&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;ROBERT GRANT&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2006: Robert Grant:  Roberta’s Revenge at Realform Project Space&lt;br /&gt;2006: Home Base, Anat Litwin Studio&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;BOB GRIFFIN&lt;/span&gt; (RIP 2006)&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: Selected Affinities, Planet Thai&lt;br /&gt;2002: Anywhere But Here, MediaMerge at Hunter College&lt;br /&gt;2002: Some Are Painting II, The Educational Alliance&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;SUSAN HAMBURGER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2004: Market Value, Cuchifritos&lt;br /&gt;2005: Culture Vulture, Jack the Pelican Presents&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2006: Susan Hamburger/Conrad Vogel: Recent Work, The University of Wisconsin, Oshkosh&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;CYNTHIA HARTLING&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Presence, Article Projects at Scope Art Fair&lt;br /&gt;2003: Cynthia Hartling: Paintings, Realform Project Space&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;ELIZABETH HENDLER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2004: Intimacy, Brooklyn Fireproof&lt;br /&gt;2005: Photo New York with Creative Thriftshop, Metropolitan Pavilion&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;CARTER HODGKIN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Liminal, University of Massachusetts, Amherst&lt;br /&gt;2003: Presence, Article Projects at Scope Art Fair&lt;br /&gt;2006: “Artifice Analysis" &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Real Art Today Lecture at The Makor-Steinhardt Center of the 92nd Street Y&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;ELIZABETH HUEY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2005: Culture Vulture, Jack the Pelican Presents&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc, Cleveland, Ohio&lt;/span&gt;&lt;br /&gt;2008: Lost Horizon, Herter Gallery, University of Massachusetts in Amherst&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;JENNIFER KARADY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2004: Intimacy, Brooklyn Fireproof&lt;br /&gt;2005: Photo New York with Creative Thriftshop, Metropolitan Pavilion&lt;br /&gt;2005: The Social Body, Rocket Projects, Miami, Florida&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;ALEXIS KARL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: The Body or The Landscape, Artists Alliance&lt;br /&gt;2003: Presence, Article Projects at Scope Art Fair&lt;br /&gt;2004: Intimacy, Brooklyn Fireproof&lt;br /&gt;2005: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Real Art Today Lecture at The Makor-Steinhardt Center of the 92nd Street Y&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;KIM KEEVER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2005: Everland, Annina Nosei Gallery&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc, Cleveland, Ohio&lt;br /&gt;2005: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Real Art Today Lecture at The Makor-Steinhardt Center of the 92nd Street Y&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;TINA LA PORTA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2002: Erotika, Riva Gallery&lt;br /&gt;2003: Presence, Article Projects at Scope Art Fair&lt;br /&gt;2003: id_entity&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;, Nurture Art&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;ELISSA LEVY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2000: Sugar &amp;amp; Spice, Media Triangle&lt;br /&gt;2002: Bodies &amp;amp; Forms, Dumbo Art Fair&lt;br /&gt;2003: Presence, Article Projects at Scope Art Fair&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;LIZ-N-VAL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2004: Liz-N-Val: Downpour, Realform Project Space&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc, Cleveland, Ohio&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2007: Garden Confrontations, Dam Stuhltrager&lt;/span&gt;&lt;br /&gt;2007: Cabbages and Kings, &lt;span style="font-family: arial;font-family:arial;" &gt;Realform Project Space&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;LAURA LOBDELL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: Liminal, Media  Triangle&lt;br /&gt;2003: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Presence, Scope Art Fair at The Dylan Hotel&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Liminal, Hampden Gallery, University of Massachusetts in Amherst&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;HOLLY LYNTON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt; 2003: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Presence, Scope Art Fair at The Dylan Hotel&lt;br /&gt;2006: The Social Body, Rocket Projects&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;NORMA MARKLEY&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2000: Sugar + Spice, Media Triangle&lt;br /&gt;2003: id_entity, Nurture Art&lt;br /&gt;2004: Intimacy, Brooklyn Fireproof&lt;br /&gt;2005: Nurturing the New, Nurture Art Benefit at Spike Gallery&lt;/span&gt;&lt;br /&gt;2008: Paper In The Wind 2, Realform Project Space&lt;br /&gt; &lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;KAREN MARSTON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2005: Lost in Place, Planet Thai&lt;br /&gt;2005; Beautiful Dreamer, Spaces Inc&lt;br /&gt;2005: “Inner Depth: The Body as Muse,” Real Art Today at The Makor-Steinhardt Center of the 92nd Street Y&lt;br /&gt;2006: Karen Marston, Dam Stuhltrager&lt;br /&gt;&lt;/span&gt;2008: Beauty's Burden, The Educational Alliance&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;DANIEL MIRER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: The Body or The Landscape, Artists Alliance&lt;br /&gt;2004: Market Value, 2004&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;DEAN MONOGENIS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2005: Culture Vulture, Jack The Pelican Presents&lt;br /&gt;2005: Everland, Annina Nosei Gallery&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc&lt;br /&gt;2005: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Real Art Today Lecture at The Makor-Steinhardt Center of the 92nd Street Y&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2006: Native Spirit, Supreme Trading&lt;/span&gt;&lt;br /&gt;2008: Lost Horizon, Herter Gallery, University of Massachusetts in Amherst&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;JOHN MULLEN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Some Are Painting II, The Educational Alliance&lt;br /&gt;2004: Void, The Educational Alliance&lt;br /&gt;2004; "Exploring the Dynamic of The Urban Space", The Educational Alliance&lt;br /&gt;2005: Lost In Place, Planet Thai&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;RUSSELL NACHMAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2005: Culture Vulture, Jack the Pelican Presents&lt;br /&gt;2005: Everland, Annina Nosei Gallery&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc, Cleveland, Ohio&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;TRACY NAKAYAMA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2002: Erotika, Riva Gallery&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;SHARILYN NEIDHARDT&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2002: Open View, The Artists Alliance&lt;br /&gt;2002: Anywhere But Here, Media Merge at Hunter College&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;SHARON PAZ&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Presence, The Scope Art Fair at The Dylan Hotel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;ANNA PEDERSEN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: Some Are Painting, John Gibson Gallery&lt;br /&gt;2003: Some Are Painting II, The Educational Alliance&lt;br /&gt;2003: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Presence, The Scope Art Fair at The Dylan Hotel&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;&lt;br /&gt;2003: Liminal, Hampden Gallery, The University of Massachusetts in Amherst&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc, Cleveland, Ohio&lt;br /&gt;2006: The Raw And The Cooked, The University of Massachusetts in Amherst&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;LEEMOUR PELLI&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: Selected Affinities, Planet Thai&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: The Body Or The Landscape, The Artists Alliance&lt;br /&gt;2002: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Bodies &amp;amp; Forms, John Eicher Studio&lt;br /&gt;2003: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Presence, Scope Art Fair at The Dylan Hotel&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;&lt;br /&gt;2003: id_entity, Nurture Art Inc&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Leemour Pelli: Paintings And Drawings, The University of Central Florida&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;&lt;br /&gt;2004: Beautiful Grotesque, Riva Gallery&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2005: Leemour Pelli: From The Heart, Annina Nosei Gallery&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2005: Intimacy, Brooklyn Fireproof&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2005: Nurturing The New, Nurture Art Benefit at Spike Gallery&lt;br /&gt;2005: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Beautiful Dreamer, Spaces Inc, Cleveland, Ohio&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2005: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Real Art Today Lecture at The Makor-Steinhardt Center of the 92nd Street Y&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;&lt;br /&gt;2006: Native Spirit, Supreme Trading&lt;br /&gt;2006: &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;The Social Body, Rocket Projects&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2007: By Invitation Only, Kinz, Tillou &amp;amp; Feigen&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;MARK POWER &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2002: Anywhere But Here, MediaMerge at Hunter College&lt;br /&gt;2003: Presence, Scope Art Fair at The Dylan Hotel&lt;br /&gt;2003: Mark Power: New Sculpture, Realform Project Space&lt;br /&gt;2005: Everland, Annina Nosei&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc&lt;br /&gt;2006: Home Base, Anat Litwin Studio&lt;br /&gt;2006: The Raw And The Cooked, University of Massachusetts in Amherst&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2007: By Invitation Only, Kinz, Tillou &amp;amp; Feigen&lt;br /&gt;2007: Garden Confrontations, Dam Stuhltrager&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;DIANA PUNTAR&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Presence, Scope Art Fair at The Dylan Hotel&lt;br /&gt;2003: Curators Choice, Artists Alliance&lt;br /&gt;2005: Culture Vulture, Jack The Pelican Presents&lt;br /&gt;2006: Native Spirit, Supreme Trading&lt;br /&gt;2006: The Raw And The Cooked, &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Central Gallery, UMass Amherst&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;&lt;span style="font-weight: bold;"&gt;ERWIN REDL &lt;/span&gt;&lt;br /&gt;2001: Liminal, The Space at Media Triangle&lt;br /&gt;2003: Liminal, Hampden Gallery, UMass Amherst&lt;br /&gt;2004: Erwin Redl: Light Installations &amp;amp; Drawings, Riva Gallery&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;ALEXANDER REYNA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Presence, The Dylan Hotel, Scope Art Fair&lt;br /&gt;2004: Market Value, Cuchifritos&lt;br /&gt;2005: Culture Vulture, Jack the Pelican Presents&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc, Clevland&lt;br /&gt;2006: The Social Body, Rocket Projects, Miami&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;GRACE ROSELLI&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: The Body Or The Landscape, The Artists Alliance Inc&lt;br /&gt;2003: Drawings Realform Project Space&lt;br /&gt;2006: Native Spirit, Supreme Trading&lt;br /&gt;2008: Paper In The Wind 2, Realform Project Space&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;CAROL SALMANSON&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2005: Lost In Place, Planet Thailand&lt;br /&gt;2006: The Raw And The Cooked, Central and Hampden Galleries, UMass Amherst&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;GAE SAVANNAH&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2002: Anywhere But Here, Hunter College&lt;br /&gt;2003: Id_Entity, Nurture Art Inc&lt;br /&gt;2004: Intimacy, Brooklyn Fireproof&lt;br /&gt;2005: Culture Vulture, &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Jack The Pelican Presents&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2005: Panel: “Culture Vulture”, Jack The Pelican Presents&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc, Cleveland&lt;br /&gt;2006: A Fool And His Froth Are Soon Parted, Dam Stuhltrager&lt;br /&gt;2006: Panel: “Beauty’s Burden”, Makor-Steinhardt Center&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2006: The Raw And The Cooked, Central and Hampden Galleries, UMass Amherst&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;RAVEN SCHLOSSBERG&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2000: Sugar+Spice, The Space at Media Triangle&lt;br /&gt;2001: The Body or The Landscape, The Artists Alliance Inc&lt;br /&gt;2002: Erotika, Riva Gallery&lt;br /&gt;2004: Intimacy, Brooklyn Fireproof&lt;br /&gt;2005: Culture Vulture, Jack The Pelican presents&lt;br /&gt;2005: Everland, Annina Nosei&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc, Cleveland&lt;br /&gt;2006: The Social Body, Rocket Projects, Miami&lt;br /&gt;2007: By Invitation Only, Kinz Tillou &amp;amp; Feigen&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;ANDRES SERRANO&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2002: Erotika, Riva Gallery&lt;br /&gt;2004: Beautiful Grotesque, Riva Gallery&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;DREW SHIFLETT&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2001: Liminal, &lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;The Space at Media Triangle&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;2003: Liminal 2, Hampden Gallery, UMass Amherst&lt;br /&gt;2005: Beautiful Dreamer, Spaces Inc, Cleveland&lt;br /&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;DIANA SHPUNGIN &amp;amp; NICOLE ENGELMANN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Id_Entity, 2003; Diana Shpungin &amp;amp; Nicole Engelmann: Second Generation Ego, 2004; The Social Body, 2006&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;FLAVIA SOUZA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Cartoon 2003, Flavia Souza: Struggle In Paradise, 2004&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;LISA STEFANELLI&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Some Are Painting, 2001; Some Are Painting II, 2003; Liminal, 2003&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;MARY ANN STRANDELL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Mary Ann Strandell: The Moving Wall, 2005; Beautiful Dreamer. 2005; Upcoming: Squared, December 2006-January 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;CINDY TOWER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Cindy Tower: Road Show, 2005; Culture Vulture, 2005; Panel: “Culture Vulture”, Jack The Pelican Presents, 2005&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;SARAH TRIGG&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Some Are Painting Ii, 2003; Sarah Trigg: Some Economic Tissues, 2005&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify; font-family: arial;"&gt;&lt;span style="font-weight: bold;"&gt;GINNA TRIPLETT&lt;/span&gt; was first introduced to me in 2003 by Elisabeth Cooper, and I cottoned to her work right away. I featured her work in three exhibitions that year, "Cartoon" at Rive Gallery, "ID_ENTITY" at Nurture Art Inc, and in my partcipation in the Scope Art Fair at the Dylan Hotel, titled "Presence". Her work later appeared in "Beautiful Grotesque" (2004) again at Riva Gallery, co-curated by Anjali Suneja, and in "Culture Vulture" (2005) at Jack The Pelican Presents.&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;&lt;/span&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;CONRAD VOGEL&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Culture Vulture, 2005; Panel: “Culture Vulture”, Jack The Pelican Presents, 2005; Panel: “Real Art Today”, Makor-Steinhardt Center, 2005; Beautiful Dreamer, 2005; Conrad Vogel: Adventures From The Past, 2005, Mesmerize/Art For Progress, 2006&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;RUTH WALDMAN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Ruth Waldman: Drawings, 2004; Panel: “Real Art Today”, Makor-Steinhardt Center, 2005; Everland, 2005; Beautiful Dreamer, 2005; Native Spirit, 2006&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;CAROL WARNER&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Sugar+Spice, 2000; The Body Or The Landscape, 2001&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;JOEL-PETER WITKIN&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Beautiful Grotesque, 2004&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial;font-family:arial;" &gt;MARK WOODS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-family:arial;" &gt;Void, 2004; Panel: "Exploring The Dynamic Of The Urban Space" Educational Alliance, 2004; Panel: “Real Art Today” Makor Steinhardt Center, 2005&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/27814060-115431504055424972?l=curatedbydavidgibson.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/27814060/posts/default/115431504055424972'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/27814060/posts/default/115431504055424972'/><link rel='alternate' type='text/html' href='http://curatedbydavidgibson.blogspot.com/2006/07/artist-histories.html' title='ARTIST HISTORIES'/><author><name>David Gibson</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://3.bp.blogspot.com/_EjzYehVO2Tc/SVM8G2EiHsI/AAAAAAAADcI/eeajHOlddkw/S220/n787564465_230271_9638.jpg'/></author></entry></feed>
